The plot of each episode is detailed and well thought out with very little cause for complaint. Benedict's Sherlock is snarky and ethereal in his brilliance. Martin's Watson is sensible and grounded, everything you'd expect John Watson to be. The banter is witty and sarcastic, perfect for those weary of modern television series that revolve around slapstick jokes.
Not only that, but the characters stay within the personality that the great Sir Arthur Conan Doyle created for them. Sherlock Holmes shoots at his wall when he's bored (which is often when he isn't working on a case), Watson works as a doctor outside of cases and writes (blogs, in this case) about their adventures, Holmes has experiments lying all over the place, Watson is fastidious, Holmes lives in a pigsty. They've even kept in Holmes' use of cocaine (or at least implied it) to stimulate his mind.
And now, an entire paragraph dedicated to Benedict Cumberbatch's extreme sexiness. He has almond shaped eyes, a perfect cupid's bow, and a deep, sonorous voice. A cupid's bow. I have never even seen one. Or at least such an amazingly crafted one. His voice has been compared to that of a younger Alan Rickman. He's lean and tall and extremely intelligent (or so I've deduced from his interviews). And he's single. Oh. My. Lord. Here's a sample:
4 June 2013: Nitpicking through my blog today and I've decided to update all of my old posts. Well. Be warned that Steven Moffat isn't exactly a feminist and that female characters are sparse. Besides that, he's a bit of a misogynist and it shows. I have a major issue with "A Scandal in Belgravia". Also, little representation from POC characters. Moriarty is brilliant, though.
